Showing posts with label Dana's Diatribe. Show all posts
Showing posts with label Dana's Diatribe. Show all posts

Friday, February 14, 2014

Dana's Diatribe: Trailer for Jodorowsky's Dune documentary

I know The Dork is a big fan of the Dune books, so I thought he might appreciate this:

To be released in the US later this year is Jodorowsky's Dune, documentary directed by Frank Pavich. The film explores Chilean director Alejandro Jodorowsky's attempt to adapt Frank Herbert's classic science fiction novel Dune to the big screen, during the mid-1970s.





Wikipedia says this about the ill-fated Alejandro Jodorowsky adaption:

"In 1973, film producer Arthur P. Jacobs optioned the film rights to Dune but died before a film could be developed. The option was then taken over two years later by director Alejandro Jodorowsky who proceeded to approach, among others, Peter Gabriel, the prog rock groups Pink Floyd and Magma for some of the music, artists H.R. Giger and Jean Giraud for set and character design, Dan O'Bannon for special effects, and Salvador Dali, Orson Welles, Gloria Swanson and others for the cast.


Frank Herbert traveled to Europe in 1976 to find that $2 million of the $9.5 million budget had already been spent in pre-production, and that Jodorowsky's script would result in a 14-hour movie ("It was the size of a phonebook", Herbert later recalled). Jodorowsky took creative liberties with the source material, but Herbert said that he and Jodorowsky had an amicable relationship. The project ultimately stalled for financial reasons. The film rights lapsed until 1982, when they were purchased by Italian filmmaker Dino DeLaurentiis, who eventually released the 1984 film Dune, directed by David Lynch."

Some of Jean Giraud's(also known as Moebius) concept artwork for the film:





One of several posters for the documentary.

Monday, December 10, 2012

Dana's Diatribe: Superhero Songs - Spider-Man Theme

This is the first posting of Superhero Songs. As the title suggests, I will be posting videos featuring modern pop songs about comics books and/or superheroes. I intend to limit the selection to songs actually about specific comic book characters, as opposed to songs where superheroes are used as metaphors for the perfect boyfriend/girlfriend, universal problem-solvers, etc.

While I intend to link mostly to original songs, rather than TV themes, I want to start off with a real kicker. So, here are several versions of the legendary theme song from the 1967 Spider-Man animated series. Crank up the volume and check 'em out!

The Ramones, released as a hidden track on their final album, Adios Amigos.



For you swingin' dorks, here is Michael Buble's version:



Canadian comedy rockers Moxy Fruvous:



Rock legends, Aerosmith, from the soundtrack of the 2002 Spider-Man film:




Punk rockers The Distillers:



And of course, here is the original:


Sunday, November 11, 2012

Dana's Diatribe: I Am Legend makeup test


From Studio ADI's YouTube channel.

"Gillis and Woodruff share never before seen makeup designs they created for Ridley Scott's unproduced version of I AM LEGEND."

In the late '90s, Ridley Scott was attached to direct a film adaptation of Richard Matheson's novel I AM LEGEND. Eventually he left the project and it became the Francis Lawrence film, starring Will Smith. I think I would have enjoyed seeing Ridley Scott's take on the classic book. The practical effects created vampires in this test footage look way better than the CGI ones used in the later version.



Saturday, November 10, 2012

Dana's Diatribe: Original Green Goblin designs for Sam Raimi's Spider-Man

From Studio ADI's YouTube channel

"This video shows ADI's talented crew creating the test makeup of Green Goblin for Sam Raimi's SPIDER-MAN. This hybrid animatronic/makeup made use of a silicone skin animated by servos and the facial performance of Tom Woodruff, Jr.

As you know, it was rejected."

Like many fans, I was personally turned off by the battle-suit design used in the film. With a little CGI to smooth out some of the facial movement, I think this approach would have been much more interesting and effective. What do you think?






Friday, November 2, 2012

Dana's Diatribe: Happy Birthday, Steve Ditko!

Happy 85th birthday to the great Steve Ditko, co-creator of the Amazing Spider-Man! If you have not seen the excellent 2007 BBC Documentary, In Search of Steve Ditko, I strongly suggest you check it out. It is viewable in it's entirety, on YouTube.





Sunday, March 25, 2012

Dana's Diatribes: '70s Comic Book Ads


I love these in-house ads Marvel and DC used to publish in the pages of their books. Art by Michael Golden

Sunday, January 23, 2011

Dana's Diatribe: David Bowie – Mutant Sympathizer?

David Bowie – Mutant Sympathizer?

By Dana Gier

Starting with his 1983 album Let’s Dance, I have been a David Bowie fan pretty much since I’ve been listening to popular music. However, with a discography of twenty-five studio albums dating back to 1967, I had never given all of his work a good listening to. So recently, I had been checking out some his albums, which had so far escaped my attention. Among them was 1971’s Hunky Dory. I was listening to it when I came across the song Oh You Pretty Things. I’m sure I heard it several times before I realized what he was saying. Here is the last verse and chorus:

Look at your children

See their faces in golden rays

Don't kid yourself they belong to you

They're the start of a coming race

The earth is a bitch

We’ve finished our news

Homo sapiens have outgrown their use

All the strangers came today

And it looks as though they're here to stay

Oh you pretty things (oh you pretty things)

Don't you know you're driving your

Mamas and papas insane

Oh you pretty things (oh you pretty things)

Don't you know you're driving your

Mamas and papas insane

Let me make it plain

You gotta make way for the homo superior

Was the Thin White Duke down with the X-Men? Had he been reading the works of Lee and Kirby, or by time this album was released, Roy Thomas and Neal Adams? Of course, science fiction themes were always common in his work since his second album, Space Oddity, to be followed by The Man Who Sold the World. Additionally, Wikipedia has this to say about the song:

Thematically, the song has been seen as reflecting the influence of occultist Aleister Crowley and philosopher Friedrich Nietzsche, and heralding ‘the impending obsolescence of the human race in favour of an alliance between arriving aliens and the youth of the present society’”

Not the explanation I expected. Also, in researching this article, I found the term homo superior pre-dating the X-Men by decades. The term appears in several works of science fiction, the earliest from 1934 novel Odd John, by British author Olaf Stapledon.

“Homo Superior faced the little mob of Homo Sapiens, and it was immediately evident that Homo Superior was indeed the better man."

Was Bowie influenced by the X-Men series? Judging by the research, the answer is probably not. However, though the song may not be specific to the merry band of mutants, it does seem to apply to their situation pretty well! I may be fooling myself, but it is nice to think that perhaps David Bowie, maybe while coming down from a particularly cosmic trip, had been browsing his comic book collection when he was inspired to pen this ode to the Children of the Atom.

Wednesday, November 24, 2010

Review by Dana: Doctor Thirteen

Doctor Thirteen: Architecture & Mortality TPB, by Brian Azzarello and Cliff Chiang

Think of writer Brian Azzarello, you probably think grim and gritty: His acclaimed series, 100 Bullets, or his various Batman projects (hopefully you don’t think of his incomprehensible, Superman: For Tomorrow). In Doctor Thirteen: Architecture & Mortality, Azzarello does a 180 turn, surprising us with a very entertaining ode to DC’s pre-crisis continuity.

One of DC’s more obscure characters, Doctor Thirteen is a paranormal investigator who has always found a mundane explanation behind each of his cases. Reasonably, he has become a complete skeptic despite existing in the DC universe.

In this storyline, originally published as a backup feature to the Spectre in Tales of the Unexpected #1-8(2006-2007), we find the good Doctor, who has been experiencing strange dreams, led to a plane crash in the French Alps. There, he and his daughter, Traci Thirteen, encounter D-list, horror character, I… Vampire! Things only get stranger and more absurd as Doctor Thirteen soon finds himself at the head of a small army of silver age characters so obscure, they had this comic reader of 35 years rushing to Wikipedia to find out who the hell most of them were! After battling Nazi gorillas and an animated Mount Rushmore, this motley cast of characters makes their way to New York City to battle against the ominous Architects, a quartet of men you might find vaguely familiar. Doctor Thirteen and his friends fight not just for survival, but for relevance in a “realistic” world.

Don’t pick this book up thinking it will be a piece of straight, in-continuity storytelling. It is a meta commentary on the direction of mainstream comics, that at times reads almost stream-of consciousness. That being said, the characters in Architecture & Mortality are written with such wit and warmth by Brian Azzarello, and are so beautifully illustrated by the thick line of Cliff Chiang, that this book can’t help but be a delight to longtime DC fans. In particular, those who feel a seemingly infinite number of Crises have excised a lot of wonder and fun from the comic book world.

Currently available through your local comic retailer, DCBS, or Amazon.com

Monday, November 15, 2010

Review by Dana: Haunted Tank TPB

Haunted Tank TPB, by Frank Marrafino & Henry Flint

Created by writer Robert Kanigher and artist Russ Heath, the original The Haunted Tank premiered in DC’s G.I. Combat #87(May 1961), and ran continually until 1987. The feature chronicled the exploits of an American tank commander during World War II, Lieutenant Jeb Stuart, who is aided in his missions by the ghost of his ancestor, a Confederate general, J.E.B. Stuart. The Haunted Tank was second only to Sgt Rock as DC Comics’ longest-running war series.

DC revisited the concept in 2008, through their Vertigo imprint mini-series Haunted Tank. Writer Frank Marrafino and artist Henry Flint update the series to 2003, taking place during the US invasion of Iraq. As before, Confederate General Stuart returns from the spirit world to fight alongside a tank squad, this time led by his modern descendent, African-American Sergeant Jamal Stuart. Sparks soon fly as both soldiers are taken aback by each other’s presences.


Though the bickering, mostly about race, between the two Stuarts can get a bit tiresome, Marrafino’s script is entertaining and at times hilarious. Henry Flint’s highly detailed artwork is just great, simultaneously capturing the ugliness of war, as well as its sometime morbid absurdity. Haunted Tank is a well-made and thought-provoking book, commenting not just on racial politics and the Iraq War, but also on the concepts of honor and glory, and how they are viewed and sometimes exploited during times of war.

Currently available through your local comic retailer, DCBS, or Amazon.com.

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